Bob Seger–Videos
“Every now and then you’ll nail one that’s really, really special. And that’s what you live for.
Bob Seger Live-Old Time Rock n Roll
Bob Seger Ramblin Gamblin Man
Bob Seger – Turn the Page
Bob Seger – Still The Same
Bob Seger-Her Strut live
Bob Seger – C’est La Vie
Bob Seger-Fire Down Below Live
In Your Time – Bob Seger Music Video
Night Moves
You’ll Accompany Me Live-Bob Seger
Bob Seger -Rare Against The Wind Live
Bob Seger – Rock n Roll Never Forgets Rare Live
Bob Seger- We’ve Got Tonight live
Bob Seger – Like a Rock ( Music Video )
Bob Seger – Ship of Fools
Bob Seger – Understanding
Travelin’ Man/Beautiful Loser Bob Seger 2007
Night Moves Bob Seger 2007
Bob Seger Tour 2011 – Travelin’ Man – Beautiful Loser – Toledo 3-26-2011
Bob Seger Tour 2011 – Rock & Roll Never Forgets – Toledo 3-26-2011
Bob Seger Tour 2011 – Ramblin Gamblin Man – Toledo 3-26-2011
Bob Seger Tour 2011 – Come To Pappa – Toledo 3-26-2011
Bob Seger – Downtown Train – Toledo 3/26/11
Bob Seger Tour 2011 – Main Street – Toledo 3-26-2011
Bob Seger Tour 2011 – Sunspot Baby – Toledo 3-26-2011
Bob Seger Tour 2011 – Night Moves – Toledo 3-26-2011
Bob Seger Tour 2011 – C’est La Vie – Toledo 3-26-2011
Bob Seger Tour 2011 – Katmandu – Toledo 3-26-2011
Bob Seger – Hollywood Nights – Toledo 3/26/11
Bob Seger Tour 2011 – Turn The Page – Toledo 3-26-2011
Bob Seger Tour 2011 – Against The Wind – Toledo 3-26-2011
Bob Seger Tour 2011 – Old Time Rock & Roll – Toledo 3-26-2011
Bob Seger & Kid Rock Real Mean Bottle 12/20/06 Detroit
Bob Seger Wait For Me
Background Articles and Videos
Bob Seger accepts award Rock and Roll Hall of Fame and Museum inductions 2004
Bob Seger Rock N Roll Hall Of Fame
Bob Seger Sunday Morning
Bob Seger on Entertainment Tonight
Bob Seger:CBS TV Interview 1996 Mystery Tour 1996
BOB SEGER – Face the Promise (his life)
Bob Seger:In Concert ABC Special interview
Bob Seger TV Interview December 1976
Bob Seger
“…Robert Clarke Seger (born May 6, 1945) is an American singer-songwriter, guitarist and pianist.
As a locally successful Detroit-area artist, he performed and recorded as The Bob Seger System throughout the 1960s. By the early 1970s, he had dropped the “System” from his recordings, and he continued to strive for national success with other various bands. In 1973 he put together “The Silver Bullet Band,” an evolving group of Detroit-area musicians, with whom he became most successful. In 1976, he achieved national fame with two albums, the live record Live Bullet, and the studio record Night Moves. On his studio albums he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, appearing on several of Seger’s best selling singles and albums.
A roots rocker with a classic raspy, shouting voice, Seger was first inspired by Little Richard and Elvis Presley, along with James Brown.[1] He wrote and recorded songs that dealt with blue-collar themes. Seger has recorded many rock and roll hits, including “Night Moves”, “Turn the Page”, and “Like a Rock”, and also co-wrote the Eagles number one hit “Heartache Tonight”. His iconic signature song “Old Time Rock and Roll” was named one of the Songs of the Century in 2001. With a career spanning five decades, Seger continues to perform and record today.
“Old Time Rock & Roll” charted #2 as most played Jukebox Singles of all Time, second only to Patsy Cline’s “Crazy”.
Seger’s songs have been covered by many artists including Thin Lizzy and Metallica.
Seger was inducted into the Rock and Roll Hall of Fame in 2004. …”
“…Recent Works & 2011 Tour
In October 2009, Yessian Music reported on its social networking sites that Seger was re-recording his albums Smokin’ O.P.’s and Seven. On October 25, 2009 it was revealed that Seger indeed had done some re-recording of older songs for an upcoming compilation album entitled Early Seger Vol. 1,[11] a collection of out of print songs and also previously unreleased material. The album was released on November 24, 2009, initially exclusively available for purchase at Meijer. A week later it was available for download at BobSeger.com.[12]
Seger lives mainly at his home in Orchard Lake Village, Michigan, a suburb of Detroit. He frequents many local events including West Bloomfield High School football games to watch his son who is in the nationally-ranked marching band. Seger also has a vacation house near Good Hart, Michigan.
Seger made an announcement on 26 March during an interview with Dick Purtan on Detroit’s WOMC-FM that he plans to tour in late 2010. These concerts will be Seger’s first since 2007′s 50-stop US tour which followed the release of his last album Face the Promise.
Seger contributed piano and vocals on Kid Rock’s 2010 album Born Free. Alongside Seger, the album also featured Sheryl Crow, Zac Brown Band, and Martina Mcbride among others.
On January 25th and 26th, videos were uploaded to Seger’s official Facebook page (and later on his official website) and teased older Seger songs while lying under a blurred screen, a map of the U.S. with 5 noted states highlighted, and a message at the end saying “Stay Tuned to BobSeger.com.” On January 27th, Seger made an announcement on his official website of a 2011 Tour subjected to kick off in March 2011. In a Rolling Stone article, additional information was added saying that Seger had 20-30 dates already booked and was expected to tour again in the Fall. In other news, the same article noted that Seger had been recording non-stop since the end of the Face the Promise tour and that a new album was currently in the works, and Seger was satisfied with over half of it already. It was also stated that Seger would be sampling a few songs from the forthcoming record during the first leg of the tour in hopes of having the album released shortly before, during, or after the tour, hinting at a Summer 2011 release.
On March 2, 2011, Seger released the first single from his forthcoming album, Downtown Train, a Tom Waits cover. …”
http://en.wikipedia.org/wiki/Bob_Seger
Bob Seger Biography
“…Seger’s first new album in 11 years, titled Face the Promise, was released in 2006. In its first 45 days, the album sold more than 400,000 copies. The album has sold over 1 million copies to date and stayed on the Billboard chart for months. His supporting tour was also eagerly anticipated, with many shows selling out within minutes. Showing that Seger’s legendary appeal in Michigan had not diminished, all 15,000 tickets available for his first show at Grand Rapids’ Van Andel Arena sold out in under five minutes; three additional shows were subsequently added, each of which also sold out. …”
http://www.lyricsfreak.com/b/bob+seger/biography.html
Bob Seger- Official Web Site
The Seger File-Unofficial Web Site
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Read Full Post | Make a Comment ( None so far )Eva Cassidy–Videos
American Tune – (Eva Cassidy)
Eva Cassidy – Autumn Leaves
Eva Cassidy – Somewhere Over the Rainbow
Eva Cassidy – Blue Eyes Crying In The Rain
Eva Cassidy – Time After Time
Eva Cassidy – Ain’t no sunshine…
Eva Cassidy – Who Knows Where The Time Goes – by Sandy Denny
Eva Cassidy – Fields of Gold
Tennessee Waltz by Eva Cassidy
Danny Boy by Eva Cassidy
Eva Cassidy – Summertime
Eva Cassidy – I Can Only Be Me – by Stevie Wonder
Eva Cassidy – I Know You By Heart
eva cassidy – My Love is Like a Red Red Rose (eng lyrics)
Forever by Eva Cassidy
Eva Cassidy – Blues In The Night
Eva Cassidy – Nightbird
Eva Cassidy – Dark End of The Street
Eva Cassidy – Bridge Over Troubled Water – by Paul Simon
Fever – Eva Cassidy
Eva Cassidy – Chain Of Fools
Eva Cassidy – Imagine – by John Lennon
Eva Cassidy-Songbird
Eva Cassidy – What a Wonderful World
Eva Cassidy – Somewhere Over The Rainbow
“Beauty of whatever kind, in its supreme development, invariably excites the sensitive soul to tears.”
~Edgar Allan Poe
Background Articles and Videos
Songbird
Eva Cassidy’s Voice Was Pure and Rich With Emotion. When She Died Five Years Ago,That Might Have Been the End of the Story. But Her Music Has Lived On, and Now It’s Making Her a Star.
By Sherri Dalphonse
“…When radio stations play Eva, their switchboards light up. Many callers say they were in their car when they first heard her and had to pull over to cry.
“Eva evokes that kind of reaction. Not just ‘She’s good’ but ‘Who the heck is that?’ ” says Keith Grimes, who was a guitarist in the Eva Cassidy Band.
Cassidy had great control, phrasing, and range. She was petite—five-foot-two—but could belt out a bluesy “People Get Ready” as easily as she could sing a delicate tune like “Autumn Leaves.” Some who heard this soulful Scotch-Irish-German woman thought she was black.
It’s more than Cassidy’s technical skill that grabs people. It’s the sense as she sang that she was reaching from her heart to her listener’s.
“There are singers that have great instruments but are just singing the notes,” says Grace Griffith, a friend and local chanteuse. “Other singers have emotion but not the instrument. Eva had both.”
No song speaks to this expressiveness as much as her rendition of “Over the Rainbow.” Cassidy, who loved the Wizard of Oz books as a child, breathed new life into an old song about hope and longing.
An amateur video of Eva shot at Blues Alley, her face full of feeling as she sings “Over the Rainbow,” is largely responsible for the big sales in England. It’s just about the most requested video in BBC history. …”
Eva Cassidy
Singer: Eva Cassidy
“…Eva Cassidy’s music has made its way from iPod to iPod by enthusiastic word of mouth. Sadly, it can’t be spread any other way. Eva died in 1996 of a melanoma at the way-too-young age of 33.
What an incredible voice. I heard about Eva from a travel forum on which people posted their island playlists. I hadn’t heard of her, so I went to iTunes and listened to my allotted twenty seconds of some of her songs. That’s all it took – twenty seconds of Eva’s voice – to make me a fan for life.
Her version of “Over the Rainbow” is just unbelievable. A British d.j., Terry Wogan, happened to hear it several years after Eva’s death, and like almost everyone else, was blown away. So were his listeners. When a low-res video of Eva singing the song was played on Britain’s Top of the Pops 2 TV show, the song went to number one on the U.K. charts. …”
http://americanthings.wordpress.com/2009/08/17/no-131-eva-cassidy/
Eva Marie Cassidy
“…Eva Marie Cassidy (February 2, 1963 – November 2, 1996) was an American vocalist known for her interpretations of jazz, blues, folk, gospel, country and pop classics. In 1992 she released her first album, The Other Side, a set of duets with go-go musician Chuck Brown, followed by a live solo album, Live at Blues Alley in 1996. Although she had been honored by the Washington Area Music Association, she was virtually unknown outside her native Washington, D.C. when she died of melanoma in 1996.
Four years later, Cassidy’s music was brought to the attention of British audiences when her version of “Over the Rainbow” was played by Terry Wogan on BBC Radio 2. Following the overwhelming response, a camcorder recording of “Over the Rainbow”, taken at the Blues Alley, was shown on BBC Two’s Top of the Pops 2. Shortly afterwards, the compilation album Songbird climbed to the top of the UK Albums Charts, almost three years after its initial release. The chart success in the United Kingdom and Ireland led to increased recognition worldwide; her posthumously released recordings, including three UK #1s, have sold more than ten million copies.[1] Her music has also charted top 10 positions in Australia, Germany, Sweden, Norway and Switzerland.[2] …”
http://en.wikipedia.org/wiki/Eva_Cassidy
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Read Full Post | Make a Comment ( None so far )
Sam & Dave–Videos
Sam & Dave – Soothe Me
Sam & Dave – When something is wrong with my baby
Sam & Dave – I Thank You
The Sam & Dave Show – 02. Get Out Of My Life, Woman (Lee Dorsey)
The Sam & Dave Show – 03. Ride Your Pony (Lee Dorsey)
The Sam & Dave Show – 04. Secret Agent Man
The Sam & Dave Show – 05. You Don’t Know (Like I Know)
The Sam & Dave Show – 06. Soul Man
The Sam & Dave Show – 11. When Something Is Wrong With My Baby
The Sam & Dave Show – 12. Hold On, I’m Comin’
Sam & Dave – Hold on i’m comin’ (Live 1966)
Sam & Dave
“…Sam & Dave were an American soul and rhythm and blues (R&B) duo who performed together from 1961 through 1981. The tenor (higher) voice was Samuel David Moore (born Samuel David Hicks on October 12, 1935 in Winchester, Georgia), and the baritone/tenor (lower) voice was Dave Prater (May 9, 1937, Ocilla, Georgia – April 9, 1988, Sycamore, Georgia).
Sam & Dave are members of the Rock & Roll Hall of Fame, the Grammy Hall of Fame, the Vocal Group Hall of Fame, and are Grammy Award and multiple gold record award winning artists. According to the Rock & Roll Hall of Fame, Sam & Dave were the most successful soul duo, and brought the sounds of the black gospel church to pop music with their call-and-response records. Recorded primarily at Stax Records in Memphis, Tennessee, from 1965 through 1968, these included “Soul Man”, “Hold On, I’m Comin”, “I Thank You”, “When Something is Wrong with My Baby”, “Wrap It Up”, and many other Southern Soul classics. Other than Aretha Franklin, no soul act during Sam & Dave’s Stax years (1965–1968) had more consistent R&B chart success, including 10 consecutive top 20 singles and 3 consecutive top 10 LPs.[1] Their crossover charts appeal (13 straight appearances and 2 top 10 singles) helped to pave the way for the acceptance of soul music by white pop audiences, and their song “Soul Man” was one of the first songs by a black group to top the pop charts using the word “soul”, helping define the genre “Soul Music”. “Soul Man” was a number one Pop Hit (Cashbox: November 11, 1967) and has been recognized as one of the most influential songs of the past 50 years by the Grammy Hall of Fame, The Rock & Roll Hall of Fame, Rolling Stone magazine, and RIAA Songs of the Century. “Soul Man” was featured as the soundtrack and title for a 1986 film and also a 1997–1998 television series, and Soul Men was a 2008 feature film.
Nicknamed “Double Dynamite”, “The Sultans of Sweat”, and “The Dynamic Duo” for their sweaty, gritty, gospel-infused performances, Sam & Dave were one of the greatest live acts of the 1960s. They were an influence on many future musicians, including Bruce Springsteen, Al Green, Tom Petty, Phil Collins, Michael Jackson, Elvis Costello, Teddy Pendergrass, Billy Joel and Stevie Winwood. The Blues Brothers, who helped create a resurgence of popularity for soul, R&B, and blues in the 1980s, were influenced by Sam & Dave – their biggest hit was a cover of “Soul Man”, and their act and stage show had many similarities to the duo. …”
http://en.wikipedia.org/wiki/Sam_%26_Dave
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Read Full Post | Make a Comment ( None so far )Dusty Springfield–Videos
“Somehow I took whatever criticism there was very much to heart.”
Dusty Springfield – You don’t have to say you love me
Dusty Springfield – Call Me Irresponsible
Dusty Springfield – i only want to be with you (V.RARE) 60s
Dusty Springfield – wishin & hopin (V.RARE) 60s
Dusty Springfield – Wishin & Hopin 1964
DUSTY SPRINGFIELD – ANYONE WHO HAD A HEART
Dusty Springfield – I Only Want To Be With You, Feb ’64
Dusty Springfield – Time After Time
Dusty Springfield – Nowhere to Run
Dusty Springfield – Heat Wave
Dusty Springfield – Get Ready
Dusty Springfield show with Tom Jones 1967
Dusty Springfield – People get ready
Dusty Springfield – going back 60s
Dusty Springfield – natural woman 60s
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Dusty Springfield – Two Brothers
Dusty Springfield – I wanna be a free girl
Dusty Springfield – Ain’t no mountain high enough
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Dusty Springfield – The Water Is Wide
Dusty Springfield – Time After Time
Dusty Springfield – Do Re Mi & Soulville
Dusty Springfield – Come Back to Me
Dusty Springfield – Son of a preacher man
Dusty Springfield – Son of a preacher man
Dusty Springfield – Goin’ Back.
Dusty Springfield – Since I fell for you
Dusty Springfield – I am woman
Dusty Springfield – Everybody Needs Somebody to Love
Dusty Springfield – Good Times
Dusty Springfield – It Ain’t All Honey and It Ain’t All Jam
Dusty Springfield – Since I fell for you
Dusty Springfield – I am Coming Home Again
Dusty Springfield – Arrested by you
Dusty Springfield – At Midnight FULL VERSION
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Dusty Springfield – Roll Away
Dusty Springfield – brings me to my knees 80s
Dusty Springfield – I only want to be with you
Dusty Springfield – In private
Pet Shop Boys and Dusty Springfield – What Have I Done To Deserve This
Dusty Springfield – Nothing has been proved
“I wouldn’t know how to handle serenity if somebody handed it to me on a plate.”
Background Articles and Videos
Dusty Springfield interview (V.RARE) 60s
The Beatles interview with Dusty Springfield
Dusty Springfield interview 90s
Dusty Springfield – Interview part 1 Of 2
Dusty Springfield – Interview part 2 Of 2
Petula commentary about Dusty Springfield (part 1 of 2)
Petula commentary about Dusty Springfield (part 2 of 2)
Dusty Springfield – Interview
Dusty Springfield – Interview
Dusty Springfield – BBC News March 1999
“…Dusty Springfield
Mary Isabel/Isobel Catherine Bernadette O’Brien,[note 1] OBE (16 April 1939 – 2 March 1999), known professionally as Dusty Springfield, was a British singer whose career spanned from the late 1950s to the 1990s, though is best known for her work during the 1960s when she released singles such as “I Only Want To Be With You” (1963), “You Don’t Have to Say You Love Me” (1966) and “Son of a Preacher Man” (1968) and her most acclaimed album Dusty in Memphis (1969). With her distinctive sensual sound, she is an important white soul singer, and at her peak was one of the most successful British female performers, with 18 singles in the Billboard Hot 100 from 1964 to 1970.[1] Her image, supported by a peroxide blonde beehive hairstyle, evening gowns, and heavy make-up, made her an icon of the Swinging Sixties; and she remains an enduring camp icon, especially in the gay community.[2]
Born in North London to a dysfunctional Irish Catholic family that enjoyed music, Springfield learned to sing at home. She joined her first professional group, The Lana Sisters, in 1958, then formed the pop-folk vocal trio The Springfields in 1960 with her brother Dion. Her solo career began in 1963 with the upbeat pop hit, “I Only Want To Be With You”. Among the hits that followed were “I Just Don’t Know What to Do with Myself” (1964), “Wishin’ and Hopin’” (1964), and “You Don’t Have to Say You Love Me” (1966). By 1966 she was the best selling female singer in the world, and topped a number of popularity polls, including Melody Maker’s Best International Vocalist;[3] and was the first British singer to top the New Musical Express readers’ poll for Female Singer.[4]
A fan of American pop music, she was the first public figure to bring little-known soul singers to a wider British audience by creating and hosting the first British performances of the top-selling Motown artists in 1965.[2] Her rendition of Bacharach’s “The Look of Love” was nominated for an Academy Award for Best Song. The marked changes of pop music in the mid-1960s left many female pop singers out of fashion. To boost her credibility as a soul artist, Springfield went to Memphis, Tennessee, to record an album of pop and soul music with the Atlantic Records main production team. Dusty in Memphis earned Springfield a nomination for a Grammy Award and it was awarded a spot in the Grammy Hall of Fame. International polls list the album among the greatest of all time. The track “Son of a Preacher Man” was released as a single and became an international Top 10 hit in 1969. After this album, Springfield’s success dipped for eighteen years. She returned to the Top 20 of the British and American charts in collaboration with the Pet Shop Boys on the songs “What Have I Done to Deserve This?”, “Nothing Has Been Proved” and “In Private”. In 1995, Springfield was diagnosed with breast cancer, and she died on 2 March 1999.
Interest in Springfield’s early output was revived in 1994, due to the inclusion of “Son of a Preacher Man” on the soundtrack of the movie Pulp Fiction. She is a member of the Rock and Roll Hall of Fame and the U.K. Music Hall of Fame. International polls have named Springfield among the best female rock artists of all time. Her album, Dusty in Memphis, has been listed among the greatest albums of all time by Rolling Stone and VH1 artists, New Musical Express readers, and the Channel 4 viewers polls,[5] and in 2001, received the Grammy Hall of Fame award. …”
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Read Full Post | Make a Comment ( None so far )Sandy Denny–Videos
Who knows where the time goes – Fairport Convention
sandy denny – who knows where the time goes
Sandy Denny – The Music Weaver
Sandy Denny – Fhir A Bhata
Strawbs and Sandy Denny – Sail Away To The Sea
Sandy Denny Fotheringay Eppie Moray
Fotheringay – The Way I Feel (vinyl 1970)
Sandy Denny Percy’s song BBC-sessions Fairport Convention
Sandy Denny One more chance (live – 1977)
Sandy Denny
SANDY DENNY Lowlands of Holland (rare )
‘Easy to Slip’ ~ Sandy Denny
Fotheringay – Banks of the Nile (vinyl 1970)
The Quiet Joys of Brotherhood – Sandy Denny
Sandy Denny – Pretty Polly (Alternate Take)
SANDY DENNY ” S☮ Long ” ( rare audio )
Sandy Denny – Milk and Honey
Sandy Denny – The Optimist (vinyl 1971)
Sandy Denny – Late November (vinyl 1971)
Sandy Denny – Wretched Wilbur (vinyl 1971)
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Sandy Denny – Blackwaterside (vinyl 1971)
SANDY DENNY – LISTEN,LISTEN
Background Articles and Videos
Sandy Denny
“..Sandy Denny (6 January 1947 – 21 April 1978), born Alexandra Elene Maclean Denny, was an English singer and songwriter who has been described by Allmusic’s Richie Unterberger as “the pre-eminent British folk rock singer”.[1]
Denny is considered a founder of the British folk rock movement and perhaps its most important female singer, songwriter and personality. Over a ten year career Sandy Denny left an extensive legacy and remains influential. She is remembered for her pivotal involvement with the British folk rock scene, where, as a member of Fairport Convention, she moved the band away from west coast American cover versions and into performing traditional material and original compositions.
Denny is also remembered as a composer most notably on her solo albums which represent her claim to be Britain’s finest female singer-songwriter, as asserted by the Sunday Express, Uncut and Mojo.[2] Her composition, “Who Knows Where the Time Goes?”, has been covered by numerous artists as diverse as Judy Collins, Nina Simone and Cat Power and is now regarded as a classic. Famous also for her exceptional voice, it has been suggested that her effortless and smooth vocal delivery still sets the standard for many of today’s female folk-based singers.[3][4]
She is also noted for her duet with Robert Plant on the song “The Battle of Evermore” from Led Zeppelin’s fourth album released in 1971. She remains to this day the only guest vocalist on a Led Zeppelin album. …”
http://en.wikipedia.org/wiki/Sandy_Denny
Sandy Denny: A Short Biography
http://www.informatik.uni-hamburg.de/~zierke/sandy.denny/biography.html
Sandy Denny Official Web Site
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Read Full Post | Make a Comment ( None so far )Neil Sedaka–Videos
Breakin’ Up Is Hard To Do – Neil Sedaka
Neil Sedaka HAPPY BIRTHDAY SWEET 16
Oh! Carol – Neil Sedaka
Neil Sedaka “Calendar Girl” (Scopitone)
Captain and Tenille & Neil Sedaka – Love Will Keep Us Together
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Background Articles and Videos
Neil Sedaka
“…Neil Sedaka (born March 13, 1939) is an American pop singer, pianist, and songwriter. His career has spanned over 50 years, during which time he has written many songs for himself and others, often working with lyricists Howard Greenfield and Phil Cody.
Sedaka was born in Brooklyn, New York. His father, Mac Sedaka, a taxi driver, was the son of Turkish Jewish immigrants (“Sedaka” is a variant of tzedaka — Hebrew for charity); his mother, Eleanor (Appel) Sedaka, was of Polish-Russian Jewish descent. He grew up in an apartment in Brighton Beach, Brooklyn.[1] He is the cousin of singer Eydie Gorme. [citation needed]
He demonstrated musical aptitude in his second-grade choral class, and when his teacher sent a note home suggesting he take piano lessons, his mother took a part-time job in an Abraham & Straus department store for six months to pay for a second-hand upright. He took to the instrument immediately. In 1947, he auditioned successfully for a piano scholarship to the Juilliard School of Music’s Preparatory Division for Children, which he attended on Saturdays. He also maintained an interest in popular music, and when he was 13, a neighbor heard him playing and introduced him to her 16-year-old son, Howard Greenfield, an aspiring poet and lyricist. The two began writing together.
The best-known Billboard Hot 100 hits of his early career are “The Diary” (#14, 1958), a song that he offered to Little Anthony and the Imperials; “Oh! Carol” (#9, 1959); “You Mean Everything to Me” (#17, 1960); “Calendar Girl” (#4, 1960); “Stairway to Heaven” (#9, 1960); “Run Samson Run” (top 30, 1960); “Little Devil” (#11, 1961); “Happy Birthday Sweet Sixteen” (#6, 1961); “Breaking Up Is Hard to Do” (#1, 1962); and “Next Door to an Angel” (#5, 1962). “Oh! Carol” refers to Sedaka’s Brill Building compatriot and former girlfriend Carole King. King responded with her answer song, “Oh, Neil” and, by using the same chord progression, “Will You Love Me Tomorrow”. A Scopitone exists for “Calendar Girl”.
A similar sharing came earlier with Sedaka and singer Connie Francis. As Francis explains at her concerts, she began searching for a new hit after her 1958 single “Who’s Sorry Now?”. She was introduced to Sedaka and Howard Greenfield, who played every ballad they had written for her. Francis began writing her diary while the two played the last of their songs. After they finished, Francis told them they wrote beautiful ballads but that they were too intellectual for the young generation. Sedaka suggested to Greenfield a song they had written that morning for a girl group. Greenfield protested because the song had been promised to the girl group, but Sedaka insisted on playing “Stupid Cupid”. Francis told them they had just played her new hit. Francis’ song reached #14 on the Billboard charts.
While Francis was in writing her diary, Sedaka asked her if he could read what she had written. After she refused, Sedaka was inspired to write “The Diary”, his first hit single. Sedaka and Greenfield wrote many of Connie Francis’ hits such as “Fallin’” and “Where the Boys Are”.
In 1961, Sedaka began to record some of his hits in Italian. At first he published “Esagerata” and “Un Giorno Inutile”, local versions of “Little Devil” and “I Must Be Dreaming”. Other recordings were to follow, such as “Tu Non Lo Sai” (“Breaking Up Is Hard to Do”), “Il Re Dei Pagliacci” (“King of Clowns”), “I Tuoi Capricci” (“Look Inside Your Heart”), and “La Terza Luna” (“Waiting For Never”) to name only a few. Sedaka also recorded in Spanish, German, Hebrew, Yiddish, and Japanese.
Between 1960 and 1962, Sedaka had eight Top 40 hits, but he was one of many American performers of the era whose popularity declined due to the British Invasion and the evolution of the Rock and Pop genres of music. His commercial success declined rapidly after 1964: he scored only two minor hits in 1965, and none of his 1966 singles charted. His RCA contract was not renewed when it ended in 1967, and he was left without a record label.
Although Sedaka’s stature as a recording artist was at a low ebb in the late 1960s, he was able to maintain his career through songwriting. Thanks to the fact that his publisher, Aldon Music, was acquired by Screen Gems, two of his songs were recorded by The Monkees, and other hits in this period written by Sedaka included The Cyrkle’s version of “We Had a Good Thing Goin’” and “Workin’ on a Groovy Thing”, a Top 40 R&B hit for Patti Drew in 1968 and a US Top 20 hit for The 5th Dimension in 1969. Also, “Make the Music Play” was included on Frankie Valli’s charting album Timeless.
On an episode of the quiz show I’ve Got a Secret in 1965, Sedaka’s secret was that he was to represent the United States in classical piano at the Tchaikovsky competition in Moscow, and he played “Fantasie Impromptu” on the show. Panelist Henry Morgan made a point that the Russians, at least older ones, hated rock and roll. Sedaka’s participation in the competition, which Van Cliburn had won in 1958, was canceled by the USSR because of Sedaka’s rock and roll connection.[original research?]
Sedaka also made an appearance in the 1968 movie “Playgirl Killer”, with a scene of him performing a song called “The Waterbug” …”
http://en.wikipedia.org/wiki/Neil_Sedaka
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Read Full Post | Make a Comment ( 2 so far )Marianne Faithfull–Videos
“When you are 18, 19, 20, you’re used to being photographed all the time, in a certain way. So, the narcissism becomes almost out of control. And the way that young women are photographed, they become addicted to this feedback of the image. I’m still dealing with it.”
Marianne Faithfull – As Tears Go By (1965)
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1970′s Mick Jagger interview for the BBC
Reluctant pin-up: Marianne Faithfull reveals how she was damaged by her early brush with fame
By Rachel Shields
“…She was the Sixties pin-up whose beauty bewitched Mick Jagger and inspired some of the Rolling Stones’ most famous songs, but Marianne Faithfull has revealed that she hates the way she looks, can’t bear to see photographs of herself and is still dealing with the damaging effects of being catapulted to fame at a young age.
The British singer-songwriter, as famous for her relationship with Jagger and her lengthy battle with drug addiction as for her performing career, also warned that young women in the public gaze risk becoming “addicted” to fame.
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Read Full Post | Make a Comment ( 4 so far )Johnny Mathis–Videos
“I really, really enjoy music and that’s why I do what I do.”
Last Dance – Johnny Mathis
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“My favorite singer to this day is Nat King Cole. I’ve tried to emulate his phrasing. It is so absolutely beautiful to listen to his lovely voice.”
Background Articles and Videos
Johnny Mathis Official Web Site
Johnny Mathis
“…Johnny Mathis (born John Royce Mathis, September 30, 1935) is an American singer of popular music.
One of the last in a long line of traditional male vocalists who emerged before the 1960s, Mathis concentrated on romantic jazz and pop standards for the adult contemporary audience through to the 1980s. Starting his career with a flurry of singles of standards, Mathis became more popular as an album artist, with several dozen of his albums achieving gold or platinum status, and over 60 making the Billboard charts.[1] According to the Recording Industry Association of America, Mathis has sales of over 17 million certified units in the United States.[2] According to British recordings chart historian and music writer Paul Gambaccini, Mathis has recorded over 130 albums and sold more than 180 million records worldwide.[3]
Mathis was born on September 30, 1935 in Gilmer, Texas, the fourth of seven children to Clem Mathis and his wife, Mildred Boyd, and is of both African-American and Caucasian ancestry.[4] The family moved when he was young to San Francisco, California on Post Street, in the famous Fillmore district where he was raised. His father worked for a time in vaudeville, and when he saw the budding talent in his son, the elder Mathis bought an old upright piano for US$25 to encourage his efforts. From his father, Mathis began learning songs and routines–his first song being “My Blue Heaven.”[5] Mathis started out singing and dancing for visitors at home, and later publicly, at school and church events.[6]
At thirteen, Mathis was taken to Connie Cox, a San Francisco Bay Area voice teacher, who accepted him as a student in exchange for work he would do around her house.[7] He studied with Cox for six years, learning vocal scales and exercises, voice production, classical and operatic skills. He remains one of the few popular singers who has received years of professional voice training that included opera. The first band that Mathis would sing with as a young 13-year-old was formed by fellow San Francisco resident, Merl Saunders, whom Mathis eulogized in October, 2007 at his funeral to thank for giving him his first break as a singer.
At George Washington High School, Mathis was well known not only for his singing abilities, but also as a star athlete. On the track and field team, he was a high jumper and hurdler, and on the basketball team, he earned four athletic letters. In 1954, Mathis enrolled at San Francisco State University on a scholarship with the intention of becoming an English and physical education teacher.[7]
He was spotted at a jam session by Helen Noga, former head cocktail waitress and co-owner of The Black Hawk Club at 200 Hyde Street in San Francisco and The DownBeat Club along with her husband John, and Guido Caccienti. She became his manager. The clubs attracted the world’s finest jazz musicians, including Dave Brubeck, Miles Davis, and Billie Holiday. John Noga and Guido Caccienti had opened the Black Hawk in the fall of 1949 for $10,000. In September 1955, after Noga landed Mathis a job singing weekends at Ann Dee’s 440 Club, she ruthlessly pursued jazz producer George Avakian, who she found out was on vacation in the Bay Area. Avakian came to see him sing, and sent the now famous telegram to Columbia Records: Have found phenomenal 19-year old boy who could go all the way. Send blank contracts.[6]
Mathis now had to decide whether to go to the Olympic tryouts, to which he had been invited, or to keep an appointment in New York to make his first recordings, which were subsequently released in 1956. With his father’s advice, Mathis opted for a recording career and the rest is history. He has never completely abandoned his enthusiasm for sports and today is an avid golfer who has achieved six holes-in-one, and has hosted several Johnny Mathis Golf Tournaments in the USA and the United Kingdom. Since 1985 he has been hosting a charity golf tournament in Belfast sponsored by Shell corporation, and the annual Johnny Mathis Invitational Track & Field Meet has continued at San Francisco State College since it started in 1982.
His first album Johnny Mathis: A New Sound In Popular Song was a slow-selling jazz album, but Mathis stayed in New York to play the clubs. His second album was produced by Columbia records vice-president and producer Mitch Miller, who defined the Mathis sound – he preferred him to sing soft, romantic ballads, initially pairing him with arranger/conductor Ray Conniff, and later, Ray Ellis, Glenn Osser and Robert Mersey. In late 1956, Mathis recorded two of his most popular songs – “Wonderful! Wonderful!” and “It’s Not For Me To Say.” That year MGM signed Mathis to sing the latter song in the 1957 film Lizzie, and shortly afterward he made his second film appearance for 20th Century Fox singing the song “A Certain Smile” in the film of the same name. He had small acting roles in both movies as a bar singer. This early cinematic visibility in two successful movies gave him mass exposure. Next was his appearance on the very popular Ed Sullivan Show in 1957 and this helped to seal his stardom. Critics called him the velvet voice.[5]
In summer of 1958, Mathis left San Francisco with the Nogas, who sold their interest in the Black Hawk club that year to Max Weiss, secretary-treasurer of San Francisco’s avant-garde Fantasy Records, and moved to Beverly Hills where the Nogas purchased a home in which Mathis lived with them, their daughter Beverly, and their granddaughter, at 806 North Elm Drive at the corner of Elm and Sunset Boulevard, built in 1931 by the Max Factor family and later owned by Mabel C. Birdwell and Lillian and Ben Young, for about $99,500, which the Nogas later sold to singer Dionne Warwick in the summer of 1973 for around $359,500. Helen Noga, looking to expand her operations into production, financing, and publishing, also founded and funded Philles Records in 1961 with Phil Spector, with Lester Sills handling the business side of sales and promotion, which launched the Crystals in September 1961. Using money from Liberty Records, Noga was bought out by Spector in 1962 for around $60,000. Mathis had two of his biggest hits in the years 1962 and 1963, with “Gina” (#6) and “What Will Mary Say” (#9). In October 1964, Mathis sued Noga to void the management arrangement, which Noga fought with a counterclaim in December 1964. Mathis purchased a mansion in the Hollywood Hills, that was originally built by billionaire Howard Hughes in 1946, and later owned by hotel owner Hyatt R. Von Dehn and Oilman Robert Calhoun, and where he still maintains a residence.
After splitting from Noga, Mathis established Jon Mat Records, Inc., incorporated in California May 11, 1967 to produce his recordings, and Rojon Productions, Inc., incorporated in California September 30, 1964 to handle all of his concert, theater, showroom and television appearances, and all promotional and charitable activities. His new manager and business partner was Ray Haughn, who helped guide his career until his death in September 1984. Since that time, Mathis has taken sole responsibility for his career, operating from office suites at 1612 W Olive Avenue in Burbank. With the exception of a four-year break with Mercury Records in the mid-1960s, he has been with Columbia Records throughout his recording career.
Pieces of music from numerous Mathis albums continue to be used throughout motion pictures and television with great effect to impart nostalgia or mood themes, for example Chances Are memorably used during an alien visit in the 1977 film Close Encounters of the Third Kind, and various numbers currently in the hit TV series Mad Men.
Although he is frequently described as a romantic singer, his vast discography includes jazz, traditional pop, Brazilian and Spanish music, Soul, R&B, soft rock, Broadway, Tin Pan Alley standards, some blues and country songs, and even a few disco tunes for his album Mathis Magic (1979). In 1980/81 Mathis recorded an album with Chic’s Bernard Edwards and Nile Rodgers, I Love My Lady, which remains unreleased. Mathis also remains highly associated with holiday music, having recorded nine Christmas albums. Mathis has the distinction of having the longest stay of any recording artist on the Columbia Record label, having been with the label from 1956 to 1963 and from 1968 to the present.
In 1958, Johnny’s Greatest Hits was released and was the first ever Greatest Hits album in the music industry. It began the Greatest Hits tradition copied by every record company. Johnny’s Greatest Hits spent an unprecedented 490 consecutive weeks (nine and a half years) on the Billboard album chart, a feat earning him a place in the Guinness Book of World Records and not broken until the 1980s by Pink Floyd’s The Dark Side of the Moon. He has had five of his albums on the Billboard charts simultaneously, an achievement equaled by only two other singers, Frank Sinatra and Barry Manilow. He released 200 singles and had 71 songs charted around the world.
He has received three Grammy awards. In 1979, his hit duet “The Last Time I Felt Like This” from the film Same Time, Next Year was nominated for an Academy Award for Best Original Song. Mathis and Jane Olivor sang the song at the Oscar ceremony. This was his second performance at the Academy Awards. He has taped twelve of his own television specials and made over 300 television guest appearances with 33 of them being on The Tonight Show. Through the years his songs (or parts of them) have been heard in 100 plus television shows and films around the globe. His appearance on the Live by Request broadcast in May 1998 on the A&E Network had the largest television viewing audience of the series. Also in 1989, Johnny sang the opening theme for the ABC daytime soap opera Loving.
Mathis continues to perform but from 2000 onwards has limited his concert engagements to fifty to sixty appearances per year. In 2006, his schedule included a UK tour that included his annual Scottish golf vacation and attendance at the 2006 Ryder Cup, two stints at his favourite Hilton Hotel in Las Vegas. He still records and his 2005 album Isn’t It Romantic: The Standards Album has been enthusiastically received by critics and music buyers. Tonight Show host Johnny Carson, who heard over 2000 singers on his show, said: “Johnny Mathis is the best ballad singer in the world.” He appeared on the NBC Tonight Show with Jay Leno[8] as a guest on March 29, 2007 performing the classic “The Shadow of Your Smile” with saxophonist Dave Koz. Mathis returned to the UK Top 20 album chart in 2007 with the Sony BMG release “The Very Best of Johnny Mathis” and again in 2008 with the Columbia CD “A Night to Remember”. …”
http://en.wikipedia.org/wiki/Johnny_Mathis
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Read Full Post | Make a Comment ( None so far )The Kinks–Videos
“Working with the Kinks, there always seemed to be some kind of automatic process at work. Ray and I had this telepathy happening for a long time, where one of us always knew what the other could do with something.”
~ Dave Davies
the kinks all day and all of the night
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THE KINKS -Wonder Boy
The Kinks-village Green
“Ray is very secretive about his ideas – why not, the times that the Kinks have been ripped off, especially in the early years, it makes you a little bit cautious about telling anybody what you’re doing. And that’s understandable.”
~ Dave Davies
Bacground Articles and Videos
Ray Davies interview 1985
Kinks – Hatred – Celluloid Heroes + Interview – Live!
Ray Davies Interview About Dave Davies, Chrissie Hynde, The Kinks, Postcard From London
The Kinks
“… The Kinks were an English rock band formed in Muswell Hill, North London, by brothers Ray and Dave Davies in 1964. Categorized in the United States as a British Invasion band, The Kinks are recognized as one of the most important and influential rock acts of the era.[1][2] Their music was influenced by a wide range of genres, including rhythm and blues, British music hall, folk, and country. The group initially consisted of Ray Davies (lead vocals, rhythm guitar), Dave Davies (lead guitar, vocals), Pete Quaife (bass guitar, backup vocals), and Mick Avory (drums and percussion). The Davies brothers remained members throughout the group’s 32-year run. Avory left in 1984, the result of a dispute with Dave Davies, and was replaced on drums by Bob Henrit. John Dalton played bass for part of 1966 after Quaife was injured in a car accident, and joined as a full-time member when Quaife left to set up his own band in 1969. Dalton remained until the late 1970s, when he was replaced by Jim Rodford. From 1965 to 1968, keyboardist Nicky Hopkins accompanied The Kinks during studio sessions. Several keyboardists were later members of the band, most notably John Gosling (1970–1978) and Ian Gibbons (1979–1989, 1992–1996).[1]
The Kinks first came to prominence in 1964 with their third single, “You Really Got Me”, written by Ray Davies.[2][3] It became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.[3][4] Between the mid-1960s and early 1970s, the group released a string of commercially and critically successful singles and LPs, and gained a reputation for songs and concept albums reflecting English culture and lifestyle, fuelled by Ray Davies’ observational writing style.[2] Albums such as Face to Face, Something Else, The Kinks Are the Village Green Preservation Society, Arthur, Lola Versus Powerman and the Moneygoround, and Muswell Hillbillies, along with their accompanying singles, are considered among the most influential recordings of the period.[1][3][5] The subsequent theatrical concept albums met with less success, but the band experienced a revival during the New Wave era—groups such as The Jam, The Knack, and The Pretenders covered their songs, helping to boost The Kinks’ record sales. In the 1990s, Britpop acts such as Blur and Oasis cited the band as a major influence.[1] The Kinks broke up in 1996, a result of the commercial failures of their last few albums and creative tension between the Davies brothers.[6]
The Kinks had five Top 10 singles on the US Billboard chart. Nine of their albums charted in the Top 40.[7] In the UK, the group had seventeen Top 20 singles on the British chart along with five Top 10 albums.[8] Among numerous honours, they received the Ivor Novello Award for “Outstanding Service to British Music”.[9] In 1990, their first year of eligibility, the original four members of The Kinks were inducted into the Rock & Roll Hall of Fame.[2][3] …”
http://en.wikipedia.org/wiki/The_Kinks
The Kinks’ Ray and Dave Davies to reunite?
Ray Davies also set to work with Bruce Springsteen
December 14, 2009
“…Ray Davies also set to work with Bruce Springsteen
The Kinks’ Ray Davies has said he wants to work on new material with his brother Dave.
If Davies‘ plans come into fruition, it will be the first time the duo have worked together since 1996, when The Kinks split. Ray said the two have already spoken about reuniting, though he told News Of The World that it may depend on how well his brother – who suffered a stroke in 2004 – can play.
“I suggested he do some low-key shows to see how well he can play. If we’re going to play together again, we can’t hit the road straight away with a big-time announcement,” Ray explained.
“But, if Dave feels good about it and there’s good new material that we can write, it’ll happen.”
Ray also revealed that he is planning to release an album of duets in 2010. Although he kept details to a minimum, he admitted that “Bruce Springsteen has expressed an interest” in the project. …”
http://www.nme.com/news/the-kinks/48860
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Read Full Post | Make a Comment ( 2 so far )Led Zeppelin–Videos
“Yes, there are two paths you can go by But in the long run There’s still time to change the road you’re on.”
~Led Zeppelin
Led Zeppelin-Stairway to Heaven
Led Zeppelin Black Dog 1973
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BEST PERFORMANCE LED ZEPPELIN LIVE!!!
Led Zeppelin – Achilles Last Stand (LA 1977)
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Led Zeppelin Rock and Roll live
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LED ZEPPELIN 1969 LIVE Communication Breakdown
Led Zeppelin – Rock ‘n’ Roll – Earls Court 24th May 1975
Led Zeppelin – The Ocean
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Led Zeppelin – Kashmir – Earls Court 24th May 1975
Led Zeppelin – Rain Song – Earls Court 24th May 1975
“So tonight you better stop and rebuild all your ruins, because peace and trust can win the day despite all your losing.”
~Led Zeppelin
Background Articles and Videos
All Of My Love – Led Zeppelin (Classic Orchestra)
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Led Zeppelin
“…Combining the visceral power and intensity of hard rock with the finesse and delicacy of British folk music, Led Zeppelin redefined rock in the Seventies and for all time. They were as influential in that decade as the Beatles were in the prior one. Their impact extends to classic and alternative rockers alike. Then and now, Led Zeppelin looms larger than life on the rock landscape as a band for the ages with an almost mystical power to evoke primal passions. The combination of Jimmy Page’s powerful, layered guitar work, Robert Plant’s keening, upper-timbre vocals, John Paul Jones’ melodic bass playing and keyboard work, and John Bonham’s thunderous drumming made for a band whose alchemy proved enchanting and irresistible. “The motto of the group is definitely, ‘Ever onward,’” Page said in 1977, perfectly summing up Led Zeppelin’s forward-thinking philosophy.
The group formed in 1968 from the ashes of the Yardbirds, for which guitarist Jimmy Page had served as lead guitarist after Eric Clapton and Jeff Beck. Page’s stint in the Yardbirds (1966-1968) followed a period of years as one of Britain’s most in-demand session guitarists. As a generally anonymous hired gun, Page performed on mid-Sixties British Invasion records by the likes of Donovan (“Hurdy Gurdy Man”), Them (“Gloria”), the Kinks (“You Really Got Me”), the Who (“I Can’t Explain”) and hundreds of others. Page assembled a “New Yardbirds” in order to fulfill contractual obligations that, once served, allowed him to move on to his blues-based dream band, Led Zeppelin. …”
“…Meanwhile, the Led Zeppelin legend endures and grows long after their demise, much like that of the Doors and Elvis Presley. The lingering appeal of Led Zeppelin is perhaps best summed up by guitarist Page: “Passion is the word….It was a very passionate band, and that’s really what comes through.” At the dawn of the new millennium, Led Zeppelin placed second only to the Beatles in terms of record sales, having sold 84 million units. Led Zeppelin IV is the fourth best-selling album in history, having sold more than 22 million copies, and four other albums by the band – Physical Graffiti, Led Zeppelin II, Houses of the Holy and Led Zeppelin – also rank among the all-time top 100 best-sellers. Fittingly, Led Zeppelin is tied with the Beatles (five apiece) for the most albums on that esteemed list – a mark of both bands’ impact. In their ceaseless determination to move music forward, Led Zeppelin carved out an indelible place in rock history. …”
http://www.rockhall.com/inductee/led-zeppelin
Led Zeppelin
“…Led Zeppelin were an English rock band formed in 1968 by Jimmy Page (guitar), Robert Plant (vocals, harmonica), John Paul Jones (bass guitar, keyboards, mandolin), and John Bonham (drums). With their heavy, guitar-driven sound, Led Zeppelin are regularly cited as one of the progenitors of heavy metal[1] and hard rock music.[2][3] However, the band’s individualistic style drew from many sources and transcends any one genre.[4] Led Zeppelin did not release the popular songs from their albums as singles in the UK, as they preferred to develop the concept of “album-oriented rock”.[5]
Close to 30 years after disbanding following Bonham’s death in 1980, the band continues to be held in high regard for their artistic achievements, commercial success, and broad influence. The band has sold over 200 million albums worldwide,[6] including 111.5 million certified units in the United States[7] and they have had all of their original studio albums reach the top 10 of the Billboard album chart in the U.S., with six reaching the number one spot.[8] Led Zeppelin are ranked #1 on VH1′s 100 Greatest Artists of Hard Rock.[9] Rolling Stone magazine has described Led Zeppelin as “the heaviest band of all time”, “the biggest band of the ’70s” and “unquestionably one of the most enduring bands in rock history.”[1][10] Similarly, the Rock and Roll Hall of Fame describes Led Zeppelin being “as influential in that decade (70s) as the Beatles were in the prior one.”[11]
In 2007, the surviving members of Led Zeppelin reunited (along with deceased drummer John Bonham’s son, Jason) for the Ahmet Ertegün Tribute Concert at The O2 Arena in London.
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