Jim Croce “One Of A Kind” 1973 KCET-TV (Part 1 of 2)
Groovy Movies: Jim Croce “One Of A Kind” 1973 KCET-TV (Part 2 of 2)
Jim Croce – I Got a Name (1973)
Jim Croce – I’ll Have To Say I Love You In A Song (1973)
Jim Croce – Time in a bottle – 1973
Jim Croce – Operator (That’s Not The Way It Feels)
Jim Croce – Bad Bad Leroy Brown (Midnight Special – 1973)
Jim Croce – Lovers Cross – BBC
Jim Croce -These Dreams
Jim Croce – Bad Bad Leroy Brown (Live) [remastered 16:9]
Jim Croce – New York’s Not My Home
Jim Croce – The Hard Way Everytime
Jim Croce – Recently
Jim Croce 1973 Final Show Louisiana
Photographs & Memories: His Greatest Hits by Jim Croce ( Full Album )
Background Articles and Videos
An Afternoon With Ingrid Croce
Nyberg: A.J. Croce speaks about dad’s music
James Joseph “Jim” Croce (/ˈkroʊtʃi/; January 10, 1943 – September 20, 1973) was an American singer-songwriter. Between 1966 and 1973, Croce released five studio albums and 11 singles. His singles “Bad, Bad Leroy Brown” and “Time in a Bottle” were both number one hits on the Billboard Hot 100 charts.
Croce was born in South Philadelphia, Pennsylvania, on January 10, 1943, to James Albert and Flora Mary (Babucci) Croce, Italian Americans. Croce took a strong interest in music at a young age. At five, he learned to play his first song on the accordion, “Lady of Spain.”
Croce attended Upper Darby High School in Drexel Hill, Pennsylvania. After graduating in 1960, he studied at Malvern Preparatory School for a year before enrolling at Villanova University, where he majored in psychology and minored inGerman. He graduated with a Bachelor degree in 1965. Croce was zxcvsafdgtfawerga member of the Villanova Singers and the Villanova Spires. When the Spires performed off-campus or made recordings, they were known as The Coventry Lads. Croce was also a student disc jockey at WKVU (which has since become WXVU).
Croce did not take music seriously until he studied at Villanova, where he formed bands and performed at fraternity parties, coffee houses, and universities around Philadelphia, playing “anything that the people wanted to hear: blues, rock, a cappella, railroad music… anything.” Croce’s band was chosen for a foreign exchange tour of Africa, Middle East, and Yugoslavia. He later said, “we just ate what the people ate, lived in the woods, and played our songs. Of course they didn’t speak English over there but if you mean what you’re singing, people understand.” Croce met his future wife Ingrid Jacobson at a hootenanny at Philadelphia Convention Hall, where he was judging a contest.
Croce released his first album, Facets, in 1966, with 500 copies pressed. The album had been financed with a $500 wedding gift from Croce’s parents, who set a condition that the money must be spent to make an album. They hoped that he would give up music after the album failed, and use his college education to pursue a “respectable” profession. However, the album proved a success, with every copy sold.
From the mid-1960s to early 1970s, Croce performed with his wife as a duo. At first, their performances included songs by artists such as Ian and Sylvia, Gordon Lightfoot, Joan Baez, and Woody Guthrie, but in time they began writing their own music. During this time, Croce got his first long-term gig at a rural bar and steak house in Lima, Pennsylvania, called The Riddle Paddock. His set list covered several genres, including blues, country, rock and roll, and folk.
Croce married his wife Ingrid in 1966, and converted to Judaism, as his wife was Jewish, though he became non-practicing and was generally anti-organized religion. He and Ingrid were married in a traditional Jewish ceremony. He enlisted in the Army National Guard that same year to avoid being drafted and deployed to Vietnam, and served on active duty for four months, leaving for duty a week after his honeymoon. Croce, who was not good with authority, had to go through basic training twice. He said he would be prepared if “there’s ever a war where we have to defend ourselves with mops”.
In 1968, the Croces were encouraged by record producer Tommy West to move to New York City. The couple spent time in the Kingsbridge section of the Bronx and recorded their first album with Capitol Records. During the next two years, they drove more than 300,000 miles, playing small clubs and concerts on the college concert circuit promoting their album Jim & Ingrid Croce.
Becoming disillusioned by the music business and New York City, they sold all but one guitar to pay the rent and returned to the Pennsylvania countryside, settling in an old farm in Lyndell, where Croce got a job driving trucks and doing construction work to pay the bills while continuing to write songs, often about the characters he would meet at the local bars and truck stops and his experiences at work; these provided the material for such songs as “Big Wheels” and “Workin’ at the Car Wash Blues“.
The couple returned to Philadelphia and Croce decided to be “serious” about becoming a productive member of society. “I’d worked construction crews, and I’d been a welder while I was in college. But I’d rather do other things than get burned,” he later said. His determination to be “serious” led to a job at a Philadelphia R&B AM radio station, WHAT, where he translated commercials into “soul”. “I’d sell airtime to Bronco’s Poolroom and then write the spot: “You wanna be cool, and you wanna shoot pool… dig it.”
In 1970, Croce met the classically trained pianist-guitarist and singer-songwriter Maury Muehleisen from Trenton, New Jersey through producer Joe Salviuolo. Salviuolo had been friends with Croce when they attended Villanova University together, and Salviuolo later discovered Muehleisen when he was teaching at Glassboro State College in New Jersey. Salviuolo brought the Croce and Muehleisen duo together at the production office of Tommy West and Terry Cashman in New York City. Initially, Croce backed Muehleisen on guitar at his gigs but in time their roles reversed, with Muehleisen adding lead guitar to Croce’s music.
In 1972, Croce signed to a three-record deal with ABC Records and released two albums, You Don’t Mess Around with Jim and Life and Times. The singles “You Don’t Mess Around with Jim“, “Operator (That’s Not the Way It Feels)“, and “Time in a Bottle” (written for his then-unborn son, A. J. Croce) all received airplay. Croce’s biggest single, “Bad, Bad Leroy Brown“, hit No. 1 on the American charts in July 1973. That year, the Croces relocated to San Diego, California.
As his career picked up, Croce began touring the United States with Muehleisen, performing live, including in large coffee houses, on college campuses, and at folk festivals. However, Croce’s financial situation was still dire. The record company had fronted him the money to record the album, and much of the money the album earned went back to pay the advance. In February 1973, Croce and Muehleisen traveled to Europe to promote the album, visiting London, Paris, and Amsterdam, and getting positive reviews. Croce also began appearing on television, including onDon Kirshner’s Rock Concert and The Midnight Special, which he co-hosted. In July 1973, Croce and Muehleisen again visited London and performed on The Old Grey Whistle Test. Croce finished recording the album I Got a Name one week before his death. During his tours, Croce grew increasingly homesick, and decided to take a break from music and settle down with his wife and infant son after his Life and Times tour was completed. In a letter to his wife which arrived after his death, Croce stated his intention to quit music and stick to writing short stories and movie scripts as a career, and withdraw from public life.
On Thursday, September 20, 1973, during Croce’s Life and Times tour and the day before his ABC single “I Got a Name” was released, Croce, Muehleisen, and four others were killed when the chartered Beechcraft E18S he was traveling in crashed while taking off from the Natchitoches Regional Airport in Natchitoches, Louisiana. Others who died in the crash were charter pilot Robert N. Elliott, comedian George Stevens, manager and booking agent Kenneth D. Cortose, and road manager Dennis Rast. Croce had just completed a concert at Northwestern State University‘s Prather Coliseum in Natchitoches and was flying to Sherman, Texas, for a concert at Austin College. The plane crashed an hour after the end of the concert.
An investigation showed that the plane crashed on take off after clipping a pecan tree at the end of the runway. The plane failed to gain enough altitude to clear the tree and did not maneuver to avoid it, even though it was the only tree for hundreds of yards. It was reported as dark, but with clear sky, calm winds, and over five miles of visibility with haze. The report from the NTSB listed the probable cause as the pilot’s failure to see and avoid obstructions due to pilot physical impairment and fog obstructing vision. The 57-year-old charter pilot suffered from severe coronary artery disease and had run three miles to the airport from a motel. He had an ATP Certificate, 14,290 hours total flight time and 2,190 hours in the Beech 18 type. A later investigation placed sole blame for the accident on pilot error due to his downwind takeoff into a “black hole”.
The album I Got a Name was released on December 1, 1973. The posthumous release included three hits: “Workin’ at the Car Wash Blues“, “I’ll Have to Say I Love You in a Song“, and the title song, which had been used as the theme to the film The Last American Hero which was released two months prior to his death. The album reached No. 2 and “I’ll Have to Say I Love You in a Song” reached No. 9 on the singles chart.
The song “Time in a Bottle” had been featured over the opening and closing credits and during a scene in which Desi Arnaz Jr. is opening the You Don’t Mess Around With Jim album in the ABC made-for-television movie She Lives!, which aired on September 12, 1973. That appearance had generated significant interest in Croce and his music in the week just prior to the plane crash. That, combined with the news of the death of the singer, sparked a renewed interest in Croce’s previous albums. Consequently, three months later, “Time in a Bottle”, originally released on Croce’s first album the year before, hit number one on December 29, 1973, the third posthumous chart-topping song of the rock era following Otis Redding‘s “(Sittin’ On) The Dock of the Bay” and Janis Joplin‘s recording of “Me and Bobby McGee“.
A greatest hits package entitled Photographs & Memories was released in 1974. Later posthumous releases have included Home Recordings: Americana, Facets, Jim Croce: Classic Hits, Down the Highway, and DVD and CD releases of Croce’s television performances, Have You Heard: Jim Croce Live. In 1990, Croce was inducted into the Songwriters Hall of Fame.
From 1985 to 2013 Ingrid Croce owned and managed Croce’s Restaurant & Jazz Bar—a project she and Croce had jokingly discussed a decade earlier—in the historic Gaslamp Quarter in downtown San Diego. On July 3, 2012, she published a memoir about her husband, entitled I Got a Name: The Jim Croce Story.
Croce had recorded a total of five studio albums and eleven singles by the time of his death.
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